Archive for the ‘Collage’ Category

Wilderness Lessons

December 8, 2009

I was asked to create an illustration of a wilderness scene. After kicking around some ideas that were mostly Photoshop image composites, I was asked to do something with natural media.

I painted the background with gouache and a smidge of a  new long-drying acrylic sample I had on hand from a local art store. I painted directly onto some computer paper which I had taped onto a portable lap desk. I kept working the image over adding color before moving on to texture.

I ended up incorporating some paper towel into the painting (the mountain range, lower left corner, and area behind the tree). I sponged the painting with paper towel and flicked paint to add more texture. I wanted a really physically tactile painting.

When I was happy, I moved on to the tree which I painted in a similar fashion on a different piece of paper. On the version shown here I actually created a negative out of the drawing of the tree. I liked the contrast and openness; the Joshua tree is almost a doorway into something beyond the desert landscape.

I created some texture to scan using bubble wrap and cellophane, scanned every thing and brought it into Photoshop for compositing. When I scanned the background, I placed piece of cellophane directly on the glass, creating some interesting reflection lines which I liked.

I played around with layers and blending modes and added some texture with a custom brush and incorporated a gradient overlay.

I sent the client 4 variations but like this one the best overall.

Hallway Abstract

May 6, 2008

Vector Hallway Composition

I had this idea while at work. Sometimes I have difficulty placing my “mental camera” to construct a scene. I thought of my house and envisioned a view of my hallway. I sketched a rough composition and I really liked the simplicity of shape. What’s really interesting is how our perceptions cause us to see space and object proximity even with a minimum of input. Shapes suggesting a common vanishing point create a hallway.

I took this idea into Illustrator, added some texture, dropped it into Photoshop and added some more texture and lighting effects. It’s more rendered than I was thinking, but I wanted to do it quickly and manually painting the shapes would have taken too long. I have a copy of the Art of the Incredibles and I really like Lou Romano’s color studies for the scenes. The texture and energy are not in my “scene” but it’s something to shoot for.

Pastels next time?

The Critic

March 16, 2008

 criticollage.jpg

The consummate art snob. He has a trained eye, and an even more trained eyebrow. Together they deliver the withering gaze, the sneer of disdain, and the crinkled brow of sympathetic superiority.